![]() The power of Fairlight is just phenomenal, and it brings a whole new dimension to Resolve.Īnd lastly, we’ve introduced a series of new multi-user collaboration tools into the studio version of Resolve. Fairlight audio can also record up to 96 channels while playing back up to 150 audio channels, as well as mix in real time. The performance improvement also means that users can now edit projects on a four-year-old MacBook Pro, for example.Īnother major update is the integration of Fairlight’s audio engine, which adds a huge set of professional tools for editing, bussing and multi-format audio mastering to formats up to 22.2 Dolby. Our engineers have done a fantastic job – version 14 has better threading and GPU pipelining, lower latency and much faster UI refresh rates, so customers get an incredibly fluid experience and more precise editing. ![]() Underpinning Resolve 14 is an overhauled video render-engine which radically improves overall performance, and reduces hardware demands. ![]() Resolve 14, without a doubt, is one of the biggest updates to Resolve since our acquisition of DaVinci back in 2009. NAB saw what you described as ‘the biggest release in the history’ of the DaVinci Resolve 14. Needless to say, then, there was a great deal to discuss with Simon Westland, sales and marketing director, Blackmagic Design EMEA – and the conversation began with a substantial claim made at the recent NAB Show… ![]() And ever since that event finished, there has been a steady stream of Tweets inviting users to check out the new equipment at other venues. NAB 2017 was a busy time for Blackmagic Design, with raft of new products appearing on the scene. Simon Westland, sales and marketing director, Blackmagic Design EMEA ![]()
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